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In 1987, the Trust celebrated the completion of the Seven Dials Sundial Pillar's complex foundation works with a traditional 'topping in' event but, in this case, underground. These ceremonies are traditionally carried out at the top of a new building but this was clearly not going to be possible atop a Sundial Pillar! The hidden foundation works are an unusual and ingenious feat of engineering, designed so the Pillar sits on a large concrete 'stool' on top of three 60-foot legs to enable access to the sewers and other subterranean services.
Invitation to the Topping In Ceremony, sponsored by Taylor Woodrow PLC.
Artistic Director of the Royal Ballet, Anthony Dowell; singer Paul Jones; journalist, the late Claire Rayner; and actors Joss Ackland and Julia McKenzie chose small items to be placed inside an air-tight brass canister kindly made for the Trust by Comyn Ching, who had traded as architectural ironmongers on Seven Dials since around 1700. Julia McKenzie did the honours, burying the time capsule, aided by the Lord Mayor of the City of Westminster, Cllr. Kevin Gardner, the Mayor of Camden, Cllr. Gerry Williams and Mr Colin Smith, MD of Comyn Ching.
Colin Smith, MD of Comyn Ching who made the brass time capsule.
Guests watching the ceremony, with Fred Collins Snr and the Rev Austen Williams (centre).
The time capsule contains a bottle of penicillin and seventeenth century medical instruments in a tortoiseshell case, a copy of John Berger's seminal book, Ways of Seeing, three miniaturised opera scores and a Royal Opera House programme and a cheque.
Joss Ackland, Anthony Dowell Paul Jones and Claire Rayner.
Posing for the media.
Julia McKenzie sealing the capsule.
The media coverage of this unusual event helped greatly with further fundraising for the Monument Appeal. Kindly sponsored by Taylor Woodrow PLC and Myton, our two main contractors, the event and after-party were attended by many local residents and businesses.
As architect A.D.Mason of Whitfield Partners writes in his article below, when designing the original Pillar Pierce would have chosen one of the classical orders for the column - Ionic, Doric, Corinthian etc - and then built it accordingly. We knew from the remains at Weybridge that he had chosen Doric but then a chance discovery led to a conundrum. When researching Pierce in the British Museum, David Bieda found a reference to a drawing held in a cupboard which had remained unopened for many years - indeed a locksmith had to attend to open it. Inside was Pierce's original drawing. However, Pierce's hand-drawn figured dimensions did not match the actual drawing and neither quite tallied with the dimensions of the remains of the column at Weybridge. Once Mason had solved the conundrum of designing the new Pillar, he presented the Trust with an extraordinary 40-foot high paper version in sections. They became the full size templates from which the trainee masons would work. |
For more detail, read below A.D. Mason's article Designing the Pillar and Foundations:
The following pages are from our booklet The Seven Dials. This was one of our fundraising tools. It sets out our position in 1987 and gives a flavour of the detailed work and innovative fundraising involved.
Project Brochure:
People's Plaques Project Brochure. (PDF)
If you would like a printed copy of the brochure please do ask.
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